Thor: Ragnarok / Justice League / Crisis on Earth-X

I’m currently on a vacation at home – or as it called now: staycation – and on Monday I had lunch at one of my favourite Italian restaurants (Actually, it’s an Italian deli that also serves warm food and it’s soo good!). Upon driving home in the early afternoon I thought to myself: what a wonderful world what now to do with the rest of the afternoon. And it just so happened that I drove past a local movie theatre. So at 3 in the afternoon on a Monday I decided to check out what was playing (I had a decent enough idea going in though). And what have you: At 3.15 an airing of Thor: Ragnarok. And at 6.00 an airing of Justice League. Quick calculation: Is Thor done when JL starts? Probably. OK, so both tickets were bought. Both movies were in German dubbing because watching O-Ton as we call it would have required a bit more planning (not every theatre shows them and only on specific times).

At the Thor airing we were three people in the theatre. A mom with her kid and I. Which is not suprising considering it was the afternoon of a regular workday in week 4 of the movie. Justice League at 6pm was also only watched by six people (including myself) in week 2 at a bit more accessible time.

Then two days later I had also caught up with the episodes of Supergirl, The Flash and Legends of Tomorrow to watch the big crossover event (Arrow being the fourth show to cross). And so I watched Crisis on Earth-X.

And here’s what I thought about all of them:

Thor: Ragnarok

Plot: Thor’s long-lost sister Hella comes back and wants to destroy Asgard. Thor gets banished to an intergalactice waste disposal and has to find his way back.

I liked the first Thor movie. I don’t remember much about the second one. But nor do I remember much about the second and third Iron Man movies. To be honest, I don’t remember much about any MCU movie that doesn’t have Loki in it, except maybe for the Norton Hulk movie.

That’s one of the issues of the Marvel movies. They are great fun while you watch them (and that’s where and how they make their money) but they are not for the ages. They’re like a good rollercoaster ride. You remember the thrill but you don’t remember the details.

The same will be true for Ragnarok. The villain was once again pretty forgettable and to be perfectly honest not really needed at all for the movie. Because the best parts of the movie took place on the waste planet. Especially all the interactions with Jeff Goldblum’s Grandmaster (Gamemaster? Whatever.).

I did have a problem with the jokes. Not any one in particular, most of them were at least amusing. More with the frequency of them. Sometimes this felt like it tried to be a laugh-track comedy were every sentence had to have a punchline. IMHO, that was a bit too much. In this regard I loved the more sporadic approach of the first movie where he’d just randomly smash his glass after he’d emptied it, praising the brew within.

As for CGI, Marvel has this part down. Although I could have sworn that the Hulk looked different than before, even a bit smaller. This nagged at me for a bit. Also, I noticed that for the sake of the plot the pathway to the Bifröst was changed, especially what’s supposed to be – or not be – under it.

I loved that Thor wised up for once and predicted Loki’s inevitable betrayal. When I saw that scene, the opening scene of Firefly sprung to my mind:

When I saw Karl Urban, I just thought: You’re in this, too? Considering how small his part was, it was astounding – or depressing depending on the point of view – how much more developed his character was in comparison to Hella’s. And at least he had a part to play in comparison to the disposal of the Warriors Three.

All in all it was once again an enjoyable ride but again no deeper meaning to be gained from it.

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TV Junkie: A History

I watched a lot of TV shows over the years. And when I say a lot, I mean A LOT. And I watched accross the board.

Keep in mind that I’m only 35 years old.

I watched The Guiding Light for two years straight (it’s a soap opera whose German title was the Springfield Story). I watched medical shows like Trapper John M.D. and lawyer shows like L.A. Law. I watched the 80s action shows from MacGuyver to Riptide. I even watched Love Boat every weekday on one of the first private channels in Germany: Sat.1. I got up at 6am on every Saturday morning to watch Rawhide (Tausend Meilen Staub, lit. “A Thousand Miles of Dust”) with a very young and pre-Fistful Clint Eastwood. I knew who Daniel Boone was around the same time I met the Cartwrights as well as the men from the Shiloh Ranch.

And last weekend I binge-watched the first Netflix show House of Cards (Big recommendation! Kevin Spacey is a brilliant Magnificent Bastard!) and I got curious as to how many shows I watched intently over the past two and a half decades.

With the help of the list on the German site Wunschliste.de I created a list of “my” shows.

I only counted live-action fiction shows, no animated shows may they be Saturday morning cartoons like Yogi Bear or Scooby-Doo or evening shows like The Simpsons or South Park. No scripted reality (which I’m avoiding to 99% anyway with the exception of Comic Book Men). In this list are only shows which I followed for more than a year unless the show itself didn’t last that long.

And the answer was: 244 246 247. Two hundred and fourty four six seven different shows I watched with active interest since I’ve started watching television. And the worst thing is: Of most of these shows I watched 90% or more episodes at least once.

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Technological Overdose?

Deutsche Version

Let me start this post with a constraint. This post is not about science-fiction shows or shows that portray obvious über-equipment (like K.I.T.T.). This is about shows that at least try to pretend to display “reality”. I am of course aware that there’s a thin line but I hope than I can show my point during this excursus.

But first this College Humor video:

Technical equipment has always been part of TV shows that play in the “here and now”. And why shouldn’t it? It’s part of our every day life, so it should play a part in the TV shows we are watching. The questions are, what part, how big a part and how realistically the equipment is used. And – to give my conclusion at the beginning – I think the more modern a show is and the more real-world technologies there are the more unrealistic becomes its portrayal.

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The Pilot Marathon Part 8

Deutsche Version | Part 7 | Part 9

True Blood

What’s the show about?
Based upon the “Sookie Stackhouse” book series by Charlaine Harris. Sookie is a waitress in Bon Temps, Louisiana and she can read minds. She’s fallen in love with a Vampire who has been around since the Civil War. The Vampires have come out of the coffin since the Japanese have invented artificial blood and Vampires need no longer feed off of Humans. The new stuff is called Tru:Blood.

“Strange Love”
Sookie Stackhouse is totally excited when her first Vampire walks into the bar where she works. And the best part of it: She can’t read his mind. The thoughts of all the people around her are constantly raining upon her but he is totally quiet. But she’s not the only one who has identified him as Vampire. So have the Rattrays and they pin him down and try to drain him dry for his “V” – Vampire blood, an aphrodisiac for Humans.

My Opinion
A bit lengthy at times but otherwise very interesting and sometimes disturbing. The show is very open about a lot of topics and also very (very, very!) visual. And except for having Vampires living openly amongst Humans the show also shows other mystical abilities like Sookie’s mind-reading and someone else’s shape-shifting. The interesting part about this show is the fact that Vampires aren’t a secret and how both sides try to deal with that fact (Vampire rights, racism, …).

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